Posts

The Kinetic Connection Bridge: Moving From "Steps" to "Social" Confidence

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Y ou’ve finished the 6-week beginner series. You know your Rock Step from your Triple Step. You can count to six. But then, you walk into a social dance venue—perhaps our local Richmond Shag Club or one of our Collective events—and you freeze. The lights are dim, the music isn't the same track we used in class, and the floor looks like a chaotic, swirling puzzle. You know the steps , but you don't feel like a dancer . This is the "Gap." It is the terrifying space between Classroom Performance (executing a move when a teacher counts it out) and Social Dancing (navigating a crowded floor with a partner in real-time). We built our new 6-week course, "The Kinetic Connection Bridge," to close that gap. We are moving beyond the mechanics of "where do I put my foot?" to the deeper substance of the Carolina Shag and Swing legacy: the art of non-verbal conversation. It’s Not About the Move; It’s About the Movement In our digital world, we are often disco...

Community Matters Adult Enrichment Program, Colonial Heights and Powhatan Recreation Departments Partner to Bring "Active Lifestyle" Swing Dance Classes to the Community

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POWHATAN, VA – Underhill’s Swing and Shag Dance Collective is proud to announce a new partnership with the Community Matters Adult Enrichment Program in Powhatan County to offer free Beginner Swing Dance classes to residents of Powhatan and surrounding localities. This initiative represents a unique regional collaboration between Colonial Heights Recreation and Parks and Powhatan County Parks and Recreation . Colonial Heights Recreation and Parks is providing the lead instructor, Roger Underhill, a Recreation Specialist who has spearheaded the dance curriculum. Powhatan County Parks and Recreation is hosting the program, providing facilities to bring this opportunity to their residents. Dance as Wellness This program is more than just dance lessons; it is designed as an Active Lifestyle and Wellness program. Under the direction of Matt Spruill, Director of Colonial Heights Recreation and Parks, the curriculum was developed to emphasize the physical, mental, and social health benef...

Sore Today, Stronger Tomorrow: The Science of Post-Dance Recovery

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The Morning After the Night Before You know the feeling. You wake up in the morning after an incredible night of social dancing—maybe it was fast Lindy Hop, high-energy Salsa, or Carolina Shag. Your mind is still buzzing with the music and the amazing connections you had on the floor. Then, you try to get out of bed. Ouch. Your calves are screaming, your quads feel like concrete, and walking down the stairs seems like an impossible task. You aren’t injured, but you are profoundly sore. There is an old gym cliché that says, "Soreness is weakness leaving the body." It sounds tough, but it’s biologically wrong. As dancers, we need a better mantra. A more accurate way to look at that morning-after hobble is this: Soreness is inflammation gathering to repair your body. Here is the science of why fast dancing beats you up, and why that pain is actually proof of progress. It’s Not the Speed, It’s the Stops Why does a night of dancing often hurt more than a steady 5-mile run? It come...

The "Slot" vs. The "Grid": Is the Architecture of Our Dance Clubs Killing the Carolina Shag and other partner dances?

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As a Recreation Specialist, Dance Instructor and a long time advocate for the Kinetic Connection of partner dancing, I am gravely concerned. A quiet shift is happening in Carolina Shag and other vernacular dance clubs and partner dance venues,  across the Southeast and beyond, and if we don't look at it critically, we may be watching the "slow death" of a beloved dance in favor of something far less connected. The Rise of the Solo-in-a-Group We’ve all seen it: the lights dim, the Beach Music or Rhythm & Blues stops, and a high-energy pop or country track comes on. The floor—once a series of linear "slots" where couples held a non-verbal conversation—suddenly transforms into a stationary "grid" of individuals performing synchronized choreography. Line dancing is fun, accessible, and requires no partner. But when it begins to move from a "supplement" to a "substitute," the very quality of our instructional opportunities and socia...

The Dance Cure: Why We’re Answering Dr. Lovatt’s Call

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Have you ever stood on the edge of a dance floor, watching couples spin effortlessly, and thought to yourself, “I am just not that kind of person” ? If so, you aren't alone. You are suffering from a cultural symptom that Dr. Peter Lovatt—a psychologist and passionate advocate known as "Dr. Dance"—has spent years trying to heal. Recently, we came across a quote, in a BBC piece "Why Dance Is Key To Our Humanity" , by Dr. Peter Lovatt, author of The Dance Cure , that perfectly articulates the battle we are fighting here at Underhill’s Swing and Shag Collective. He says: “A large portion of society thinks that they are not the right type of person to dance. Because we take something that’s really fundamental and natural and expressive in movement, and then we codify it. We make it very strict, We judge people for it. People feel self-conscious when they do it, and then people stop doing it.” At Underhill’s Swing and Shag Collective, we consider Dr. Lovatt a partner ...